Post Production
Color Management Part 10: CM using After Effects built-in system
After Effects has had a full color management system built-in since the release of CS4, in 2008. The basic...
Post Production
Color Management Part 9: Workflow Theory
The concept of a simple color managed workflow isn’t too difficult to understand. People working with video software are...
Post Production
Color Management Part 8: Colorspaces
A colorspace is the basis for color management. By itself, the concept of a colorspace isn’t too difficult to...
Post Production
Color Management Part 7: Introducing Gamma
For many After Effects users, gamma is something you adjust in the levels and exposure plugins, but it goes...
Post Production
REACTION!!! Re-write After Effects from scratch???
Should Adobe re-write After Effects from the ground up? Earlier this week, that’s what Wren from Corridor Digital tweeted....
Post Production
Color Management Part 6: Understanding the CIE 1931 diagram
In Part 5 we started to look at the CIE 1931 Chromaticity diagram, the distinctive rainbow tongue that pops...
Post Production
Color Management Part 5: Introducing CIE 1931
Anyone who’s ever looked up color management – especially using Google – will have seen the funny, multi-colored tongue...
Post Production
Color Management Part 4: Maxwell’s Spinning Discs
Have you ever stopped to think about where RGB values came from? We all use digital color pickers every...
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Color Management Part 3: It’s all in the brain
In order to manage colors in film and television production, we need a way to measure them. Unfortunately, measuring...
Post Production
Color Management Part 2: Newton’s Prisms
Color management may not be fun, but we once we break the topic down into small parts it becomes...
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