Production
A Chat with Immersive Company and The Spatialists
Recently, the app Prima Immersive launched, featuring the first episode in the Sessions series. If you missed my article,...
Post Production
Sharpness and Blur in Video
While you might have blurred out a background or sharpened a little to save a slightly misfocused shot, there’s...
Post Production
Immersive Company launches a new 180° 16K 3D camera, platform and app
Though the Blackmagic URSA Cine Immersive is expected soon, this week saw the surprise announcement of a second top-tier...
Pro Photo
Review: Lumix GH7
A filmmaker, videographer or content creator starting out today will not only have a tricky time picking what to...
Production
Review: Hohem iSteady M7 gimbal
In a market where small gimbals are more common than ever, while at the same time phones are getting...
Post Production
Live 3D Stereoscopic editing in Apple Vision Pro
Final Cut Pro 11’s Spatial Video support is good, but currently missing a key feature: the ability to preview...
Production
Review: the Canon RF-S 7.8mm Spatial Lens on the EOS R7
Video professionals looking to create 3D content for the Apple Vision Pro, for other VR devices, or for 3D-capable...
Production
Quick Look: Blackmagic URSA Cine Immersive
Blackmagic’s URSA Cine Immersive camera has transitioned from an announcement into something you can actually pre-order, with deliveries set...
Post Production
Q&A: Delivering Good Spatial Video
I hear that the new Final Cut Pro 11 supports Spatial video editing! What’s that? Spatial video is stereoscopic...
Production
Two Small Gimbals – The Insta360 Flow Pro and the DJI RS 3 Mini
The Insta360 Flow Pro and the DJI RS 3 Mini are two great small gimbals, though they don’t compete...