Distribution
Ten Things I Hate About Social Media Video
Introduction Social media (and social media video) has absolutely grown the market for video professionals, but it’s not all...
Post Production
Pushing the Envelope
Introduction Once upon a time, videos came on tapes and then discs. And now they mostly don’t. Along that...
Post Production
Understanding Color Management
Introduction Color management (and understanding color management) isn’t a dark art, but there’s more to it than most people...
Post Production
Why ProRes?
Introduction I remember seeing QuickTime 1.0 when I was a teenage nerd with a new Mac LC. That first version...
Post Production
Review: Panasonic Lumix GH6
Introduction If you’re a GH5 shooter like me, you’ll probably have been waiting impatiently for the Panasonic Lumix GH6...
Post Production
Automation in video production
Introduction Automation is one of the most important ways you can minimize or eliminate boring tasks from your day...
Post Production
Apple Motion — every editor’s secret weapon
In the Final Cut Pro ecosystem, Motion is the app that lets you create custom titles, effects, generators and...
Business
Common Mistakes in Online Video
While I’m not yet old, today I am grumpy, and YouTube’s starting to annoy me: there are so many...
Post Production
Review: Pixelmator Pro 2.3.4 Abracadabra
Subscriptions are polarizing, and although Adobe makes some excellent apps, if you’d rather buy your software outright, you may...
Post Production
Cinematic Mode, the future of iPhone cinematography, and ProRes on a phone
By now, you’ll have likely seen an article or social post about Cinematic Mode, the new computational background blur available...
PVC Favorites
Post Production
Apple Vision Pro — a new virtual space to explore
Post Production
iZotope RX 11 Shootout
Post Production
