Post Production
Wipster says goodbye to traditional pricing structure
We’ve showcased how many review and approval options are available for video pros, but Wipster’s solution is one that...
Production
Filmmaking experiences when moving from digital to film
One of the questions that came up during our film vs. video roundtable was around whether or not young...
Production
Avoiding latency and increasing efficiency during production
The Walk, written and directed by Robert Zemeckis, features Joseph Gordon-Levitt as high-wire artist Philippe Petit. The film is...
DAM
Exploring Workflow, Storage & Archive in M&E: IT and production perspectives
Analytical vs creativity, from Shutterstock It should come as a surprise to no one that an editor thinks about...
Production
Hands-on interaction with Teradek, Paralinx, and SmallHD wireless monitoring products
Production professionals in and around the Los Angeles area are going to have a much easier time figuring out...
Post Production
Exclusive details around the newly released style effects libraries and textured overlays from Rampant Design
Some pretty cool news went out today as Rampant Design announced they were releasing Rampant Motion Graphics for Editors...
Production
HDR has arrived – are professionals and consumers ready for it?
Dolby Vision has had a presence at industry events for many years now, but high-dynamic range (HDR) technology is...
Post Production
Filmmaking first loves and first times
On episode #4 of Radio Film School, host Ron Dawson takes his audience down memory lane to recount some...
Post Production
MAXON and Cinema 4D are coming to a town near you
We’ve detailed how well Cinema 4D (C4D) and After Effects work together, but at events like NAB and SIGGRAPH...
DAM
Exploring Workflow, Storage & Archive in M&E: Different scales, same tools
At IBC, one of the things that caught my eye was around how prevalent things like “workflow” and “ecosystem”...