Post Production
REVIEW: Pixeltools Film Lab Powergrade Collection
Shooting with modern digital cinema cameras, at least from a workflow perspective, is objectively better than the film ways...
Podcasts
Edu Grau, ASC AEC of “Passing” // Frame & Reference
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Podcasts
John Brawley, ACS of “Lakewood” // Frame & Reference
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Production
REVIEW: Rotolight Titan X1 & X2
Recently I was tasked with reviewing the Rotolight Titan X1 and X2 LED Panels, the highlight feature of which...
Podcasts
Jessica Young, DP of “What Drives Us” // Frame & Reference Ep. 30
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Production
Cinema Capabilities of Fujifilm Cameras
Recently, blissfully, I’ve been able to get back to shooting. Slowly but surely the gigs are coming back, although...
Podcasts
Kirsten Johnson, Director/DP of “Dick Johnson is Dead” // Frame & Reference Ep. 29
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Post Production
REVIEW: Look Designer 2 by ColourLab.ai
Recently I was given an opportunity to test out the Look Designer plugin from Colourlab.ai in what is now...
Podcasts
Diego Ongaro and Danny Vecchione of “Down with the King” // Frame & Reference Ep. 28
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Podcasts
Atlas Lens Co. // Frame & Reference Ep. 27
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
