Post Production
CREATING YOUR OWN DCP’S – USING AFTER EFFECTS AS AN INTERMEDIARY
In our last article, we talked about the conversion process for taking our footage from our our NLE (Avid,...
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Five Things You Didn’t Know You Need To Know About Media Composer
One thing that Avid Media Composer has is options. There’s a ton of options in your settings, there are...
Post Production
CREATING YOUR OWN DCP’S – DAVINCI RESOLVE 14 SETUP
In this article, we’re going to talk about DaVinci Resolve, when it comes to creating DCP’s. What makes Resolve...
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Let’s Edit with Media Composer – Creating Night from Day with BCC and Sapphire 10
In this lesson, Kevin P McAuliffe shows you how, using BCC 10, Sapphire 10 and a little help from...
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REVIEW – MacCaption from Telestream
As editors, we can wear a lot of hats. We can be the image cutter, color grader, VFX master,...
Post Production
REVIEW – Trapcode Suite 14 from Red Giant Software
I work in After Effects. A lot, and I always have my “stable” of effects that I find myself...
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REVIEW – ScreenFlow 7 from Telestream
I’ve been doing online training and tutorials for a while now. A long while, and I’ve done recording on...
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CREATING YOUR OWN DCP’S – PREMIERE PRO CC SETUP
I want to keep the DCP topic going by taking a look that the process that we just covered...
Post Production
Let’s Edit with Media Composer – DCP Creation Part 1 – Setup
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about getting your Media Composer timeline ready...
Post Production
Let’s Edit with Media Composer – What’s New in v8.9
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about some of the great new features...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
