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Creating a Storyboard in Final Cut Pro X
How do you tell a visual story without any visuals? This week on MacBreak Studio, Steve Martin from Ripple...
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Moving “Tracks” in Final Cut Pro X
How do you select all “tracks” in Final Cut Pro X, and do you even need to? This week...
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Back-timing and Retiming in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a very useful trick when retiming clips...
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Mastering the Keyboard in Final Cut Pro X
Can you edit without a mouse or trackpad? That's the challenge our guest Sam Mestman tackles this week with...
Post Production
Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
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Visual Effects Workflow with Final Cut Pro X
How does Final Cut Pro X fit into the visual effects workflow of a feature film? Quite comfortably, as...
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Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the...
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Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
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Multi-screen Multicam in Final Cut Pro X
Putting the Angle Viewer into the Timeline? That is essentially what Steve Martin from Ripple Training shows us how...
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Creating Final Cut Pro Transitions in Motion
How do you customize effects in Final Cut Pro X? That's a question I hear frequently from legacy Final...