Post Production
Using Magic Mask & Qualifiers in Resolve 17
One of the marquee new features in Resolve 17’s Color Page update is the new Magic Mask palette. Available...
Post Production
Working with ProRes RAW in Final Cut Pro
With more and more cameras supporting ProRes RAW recording to the Atomos Ninja V, this week I take a...
Post Production
Using Camera-Generated Proxies in Final Cut Pro
As more and more cameras capable of shooting 10-bit 4-2-2 video hit the market at lower and lower price...
Post Production
Creating Keyboard Shortcut Graphics in Final Cut Pro X
At Ripple Training, we create tutorials. A LOT of tutorials. And one of the time-consuming tasks (of which there...
Post Production
Final Cut Pro and Motion on the new 13″ M1 MacBook Pro
This week on MacBreak Studio, I was able to “borrow” the new 13-inch MacBook Pro with the M1 Apple...
Post Production
What’s New in DaVinci Resolve 17
Resolve 17 public beta is out and there is a LOT to talk about! This week Ripple Training brings...
Post Production
Editing iPhone 12 HDR Video in Final Cut Pro X
With Apple’s release of the new iPhone 12 and 12 Pro a few weeks ago, you can now shoot...
Post Production
Replicating and Animating 3D Models in Motion
We have a fun episode of MacBreak Studio for you this week, in which I show you how to...
Post Production
3D Tracking in Final Cut Pro X
This week on MacBreak Studio, I take a look at 3D tracking using a private beta version of mTracker...
Post Production
What is Media Management, Anyway?
This week on MacBreak Studio, we are celebrating the release of our new Media Management tutorial, fully updated for...