Post Production
ART OF THE CUT with Tiffany Hillkurtz, editor of “The Secret Life of Pets 2”
Tiffany Hillkurtz started working in animation in 1997 as an assistant in the animation department. She continued through the...
Post Production
ART OF THE CUT with Oscar-winning editor, Lee Smith, ACE on “Dark Phoenix”
I last spoke to Lee Smith, ACE, when he edited Dunkirk, which won him an Oscar for Best Achievement...
Post Production
ART OF THE CUT with the editors of “Yellowstone”
The TV show Yellowstone, on the Paramount Network, is directed by Taylor Sheridan. Sheridan also wrote and directed the...
Post Production
How to control Avid Media Composer’s Audio Mixer in real-time with an iPad
I saw a request on Facebook or Twitter for a tutorial about the Avid Mixer. What does LIVE MODE...
Post Production
ART OF THE CUT with Oscar-nominated editor Martin Pensa, ACE
In 2014, Martin Pensa, ACE was nominated for an Academy Award for Best Achievement in Editing for Dallas Buyers...
Post Production
ART OF THE CUT with the editors of “The Marvelous Mrs. Maisel”
The Marvelous Mrs. Maisel is on Amazon Prime Video and is in its second season. Last season, editor Kate...
Post Production
ART OF THE CUT with Evan Schiff, editor of “John Wick 3”
Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films...
Post Production
ART OF THE CUT with Jeffrey Ford, ACE, of “Avengers: Endgame”
Jeffrey Ford, ACE and Matthew Schmidt have been collaborating in the cutting room since the first Avengers movie. Back...
Post Production
ART OF THE CUT WITH “Pet Sematary” editor, Sarah Broshar
Sarah Broshar started as an editorial assistant on Sky Captain and the World of Tomorrow in 2004. Broshar was...
Post Production
ART OF THE CUT WITH Martin Bernfeld, editor of “Hellboy”
Martin Bernfeld has been editing features for 15 years, including Project Almanac, Paranormal Activity: The Ghost Dimension, Power Rangers,...