Post Production
ART OF THE CUT with the editors of Netflix’s “Ozark”
I interviewed Cindy Mollo, ACE and Vikash Patel about their work on the stellar Netflix series, Ozark. Cindy’s TV...
Post Production
ART OF THE CUT with “Black Mirror” editor Selina MacArthur
Selina MacArthur has been cutting comedy, drama and action in the UK for the last decade, including episodes of...
Post Production
ART OF THE CUT editing “Adrift” with Oscar-winner John Gilbert, ACE
John Gilbert, ACE, started as an assistant editor in his native New Zealand in 1980, under Oscar-winner, Jamie Selkirk,...
Post Production
ART OF THE CUT with the editors of “The Handmaid’s Tale”
“The Handmaid’s Tale” is a critical success and one of the many gems of TV’s new “golden era.” It...
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ART OF THE CUT with Alex O’Flinn of indie sensation, “The Rider”
In 2014, Alex O’Flinn was awarded Sundance’s Sally Menke Memorial Film Editing Fellowship. He has edited The Bad Batch,...
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ART OF THE CUT with Oscar-winning editor, Richard Chew, ACE
Oscar-winning editor, Richard Chew, ACE, has cut so many iconic films that I’ve been “hunting” him for a while,...
Post Production
ART OF THE CUT with Oscar-winning editor, Joel Cox, ACE
There are a few famous pairings of directors and editors: Martin Scorsese and Thelma Schoonmaker, ACE; Steven Spielberg and...
Post Production
ART OF THE CUT AUDIO INTERVIEW with Anne V. Coates, ACE – in memorium
I am so sorry to hear of the passing of one of the legendary, Oscar-winning film editors, Anne V....
Post Production
ART OF THE CUT with Oscar-winner Tom Cross, ACE on “Hostiles”
Tom Cross, ACE, is an Oscar winner for his editing of Whiplash. He was last nominated for an Oscar...
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An Art of the Cut Essay – no interview but lots of quotes
Riffing on the video “5 Things Film Editors Literally Do – According To Science.” I was really inspired by...