Post Production
ART OF THE CUT with “IT” editor, Jason Ballantine, ASE
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in...
Post Production
ART OF THE CUT with Oscar Winner Alan Heim, ACE
Alan Heim is the former President of American Cinema Editors and is the current President of the Motion Picture...
Post Production
ART OF THE CUT with Jake Roberts, ACE on “Hitman’s Bodyguard”
Jake Roberts, ACE was recently nominated for an Oscar and an EDDIE for his editing on Hell or High...
Post Production
ART OF THE CUT on delivering DUNKIRK in IMAX and 70mm
John Lee has been as assistant editor since 1993, including work as assistant editor, associate editor or additional editor...
Post Production
ART OF THE CUT with the editors of “Detroit”
Hopefully, for regular readers of Art of the Cut, there’s a lot to be learned from every interview. I...
Uncategorised
ART OF THE CUT with Michael Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the...
Post Production
ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK
Lee Smith, ACE has cut numerous films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which...
Post Production
ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir
Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe...
Post Production
ART OF THE CUT with Paul Machliss on Baby Driver
Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss...
Post Production
ART OF THE CUT with the editor of “War for the Planet of the Apes”
William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first...