Post Production
ART OF THE CUT with a trailer editor
Recently I asked readers of Art of the Cut about what types of editors they wanted to hear from....
Post Production
ART OF THE CUT on editing “Logan”
Logan has two credited editors and an additional editor. One of the editors, Michael McCusker, was already editing his...
Post Production
ART OF THE CUT – editing “Lost City of Z”
Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar® winner Anne Coates’ assistant...
NAB Show
Five Killer DaVinci Resolve 14 Features
There are some killer new features in DaVinci Resolve 14. The buzz around Resolve at NAB was pretty evident....
Post Production
ART OF THE CUT with the “Colossal” edit team
Ben Baudhuin and Luke Doolan share editing credit on the film, Colossal. But unlike many of the other co-editing teams...
Post Production
ART OF THE CUT with the editors of “Power Rangers”
Art of the Cut talks to the two editors behind the re-imagined Power Rangers. Veteran editor Dody Dorn, ACE...
Post Production
ART OF THE CUT with Virginia Katz, ACE on “Beauty and the Beast”
Virginia Katz, ACE has had a prolific career as a film editor, moving into the editing chair in 1987,...
Post Production
ART OF THE CUT with Hitchcock doc editor
Art of the Cut readers responded to surveys on Facebook and Twitter with the types of editors they wanted...
Post Production
ART OF THE CUT with “Kong” editor, Rick Pearson, ACE
Rick Pearson, ACE has edited some of Hollywood’s biggest movies, including Men in Black II, The Bourne Supremacy, Quantum...
Post Production
ART OF THE CUT with “Cure For Wellness” editor
Pete Beaudreau has been editing features since 2001. He’s best known for the films Beasts of No Nation, The...