Post Production
ART OF THE CUT on cutting animation with Gregory Perler, ACE
Very few editors cross back and forth between animation and live action. They are – at the same time...
Post Production
2017 ACE EDDIE nominations announced
Art of the Cut congratulates all of the nominees. Many of the nominees have done interviews with Art of...
Post Production
ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences”
Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including...
Post Production
ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel
Joan Sobel, ACE began as first assistant on such films as both of Quentin Tarantino’s Kill Bill films. She...
Post Production
ART OF THE CUT with Jabez Olssen on editing “Rogue One”
Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on...
Uncategorised
ART OF THE CUT with “La La Land” editor Tom Cross
Tom Cross, ACE won the 2015 Oscar for Best Editing for the film “Whiplash,” which was hailed as an...
Post Production
ART OF THE CUT with Mark Day of Fantastic Beasts
Mark Day and Harry Potter are probably on a first name basis. He’s edited four of the Harry Potter...
Post Production
ART OF THE CUT with Joe Walker, ACE, on “Arrival”
Readers who follow Art of the Cut will be familiar with Joe Walker, ACE. I originally talked to Walker...
Post Production
ART OF THE CUT with the editors of Stranger Things
Kevin Ross and Dean Zimmerman are the editors behind the cultural phenomenon that is Stranger Things. If you haven’t...
Post Production
ART OF THE CUT with Rick Pearson, ACE on “The Accountant”
Rick Pearson, ACE has edited so many big movies that trying to sum them up in a paragraph is...