Post Production
“Whiskey Tango Foxtrot” co-director Glenn Ficarra on editing
Glenn Ficarra and John Requa have co-written numerous feature films, including “Bad Santa” “The Bad News Bears,” and “Focus.”...
Post Production
ART OF THE CUT with MARGARET SIXEL, editor of “MAD MAX: FURY ROAD”
This year’s Best Editing Oscar went to Margaret Sixel for “Mad Max: Fury Road.” Sixel worked on the project...
Uncategorised
ART OF THE CUT: JAN KOVAC CUTS “WHISKEY TANGO FOXTROT” ON FCP-X
Jan Kovac started his editing career re-editing shows, like HBO’s “The Sopranos” from their original HBO broadcast down to...
Post Production
ART OF THE CUT with Lee Smith on cutting 007’s “Spectre”
Lee Smith, ACE, most recently cut the Bond flick, “Spectre” but has also cut “Master and Commander,” “Batman Begins,”...
Post Production
In L.A.? Meet the Oscar nominated editors!
American Cinema Editors will hold its annual roundtable of the Oscar nominated editors at Grauman’s Hollywood Egyptian Theatre February...
Post Production
ART OF THE CUT with “Deadpool” editor Julian Clarke
“Deadpool” is one of the biggest films to date to be edited in Premiere Pro CC. Its editor, Julian...
Post Production
ART OF THE CUT with Steve Mirkovich, ACE, editor of “RISEN”
Steven Mirkovich, ACE has edited over 40 pictures that include “Big Trouble in Little China” and “Con Air.” Steven...
Post Production
ART OF THE CUT on cutting “DEADPOOL” with Premiere Pro CC
Vashi Nedomansky trained a team of Avid editors and assistants for their switch to Premiere Pro for “Deadpool” and...
Post Production
ART OF THE CUT with “Straight Outta Compton”‘s editor Billy Fox
Billy Fox, ACE has numerous Emmys nominations for his editorial and producing work and won an Emmy as a...
Post Production
2016 EDDIE AWARDS ANNOUNCED
2016 Eddie Awards were given out last night. Here are the nominees and winners.