Post Production
ART OF THE CUT WITH KIRK BAXTER, A.C.E. on cutting “Gone Girl” in Premiere
Kirk Baxteredited one of the first major feature films cut in Adobe Premiere Pro. He has worked primarily with director David...
Post Production
Art of the Cut with Dan Zimmerman, A.C.E. of “Mazerunner: The Scorch Trials”
Art of the Cut is taking you behind the scenes with three movies today, all cut in the last...
Post Production
Art of the Cut with Steve Audette of FRONTLINE
Steve Audette, ACE has been editing at WGBH since 1990, mostly as the Senior Editor on two of PBS’s...
Post Production
Pacing and Rhythm in Editing
Editors discuss pacing and rhythm as primary ways that they ply their art. But how does that really matter...
Post Production
Art of the Cut with the editors of “Hunger Games – The Mockingjay Part 2”
Today’s Art of the Cut interview are the co-editors of the blockbuster film, “The Hunger Games: Mockingjay, Part 2,” with a...
Post Production
What does Baselight’s new announcement mean to you?
Now available, Avid and NUKE free plugins allow color grade to be imposed in real time; simple upgrade to...
Post Production
Art of the Cut with “Brooklyn” editor Jake Roberts
Today’s Art of the Cut interview is with editor Jake Roberts, who, along with director John Crowley, sculpted “Brooklyn”...
Post Production
Art of the Cut with Joe Walker on “Sicario”
This is a deep-dive of “Art of the Cut” editing wisdom from Joe Walker. I first spoke to Joe...
Post Production
Art of the Cut: The Martian with Cheryl Potter
A follow-up to my interview with 2-time Oscar winning editor, Pietro Scalia and “The Martian.” To dive deeper into workflows, project...
Post Production
Art of the Cut with Pietro Scalia on The Martian
In this installment of Art of the Cut, we talk to multi-Oscar-winning editor, Pietra Scalia about The Martian, his...