Production
FxFactory Pro and MOTYPE Review
Most people I know in this industry love new gear. And in the world of desktop video applications and...
News
OnLocation CS4 Review
Last year I wrote a review of various software-based waveform/vectorscopes. In that review I included my praise and criticism...
News
Avid Gems #10
Here’s an interesting problem I came across on the Avid-L2 listserve: An editor was trying to create three circle...
Post Production
Color Correction Tutorial #11
After a brief hiatus, my color correction tutorials are back. This tutorial is about 8 minutes long and provides...
Uncategorised
New Year’s Resolution List
So the grand poobahs at ProVideoCoalition wanted all of us gurus to write a few year end lists. There...
Production
Large Scale Final Cut Pro Installations, Part II
This is the second of a two part series on large-scale Final Cut Pro installations. Pie Town Productions currently...
Post Production
Avid Gems 9
This column on Avid tips and tricks was originally designed to include hidden “gems” from the Avid user manual,...
News
Color Correction Video Tutorial
This week I balance and fix a dark image in Synthetic Aperture’s Color Finesse color correction application, but if...
Uncategorised
Meeting the challenges of today’s weak economy
Last year was my best year ever. Huge projects and lots of them. Plenty of work to pass out...
Post Production
Reality TV Post with Final Cut
In the first of a two part series on how Final Cut Pro is being used in two of...