Post Production
2019 Wisdom from Art of the Cut
If you follow me on Twitter or Instagram, these images won’t be new to you – though I’ve never...
Post Production
ART OF THE CUT with “Star Wars: Rise of Skywalker” editor, Maryann Brandon, ACE
Maryann Brandon, ACE is a Primetime Emmy nominee for Alias, ACE EDDIE nominated for Star Trek, How to Train...
Post Production
ART OF THE CUT with Oscar-winner Lee Smith, ACE on “1917”
Lee Smith, ACE won an Oscar and ACE Eddie for cutting Dunkirk. He was also nominated for ACE Eddies...
Post Production
ART OF THE CUT with “The Aeronauts” editor Mark Eckersley
Mark Eckersley is a London-based editor who has cut features including Dredd, Filth, The Woman in Black 2, and...
Post Production
70th annual ACE EDDIEs announced
American Cinema Editors announced the nominees for the 70th Annual ACE Eddie Awards today. The awards will be voted...
Post Production
ART OF THE CUT with Pete Beaudreau on editing “Queen and Slim”
Pete Beaudreau has been editing features since 2001. He’s best known for the films Beasts of No Nation, The...
Post Production
ART OF THE CUT with Anne McCabe, ACE
In 2011, Anne was nominated for an ACE EDDIE for her editing of an episode of Nurse Jackie. In...
Post Production
ART OF THE CUT with “Terminator: Dark Fate” editor Julian Clarke, ACE
Julian Clarke, ACE was nominated for a BAFTA, an ACE Eddie and an Oscar for his editing of District...
Post Production
ART OF THE CUT with editors of “Ford v. Ferrari”
Michael McCusker, ACE was nominated for an Oscar and won an ACE Eddie for editing Walk the Line (2005). ...
Post Production
ART OF THE CUT with the editor of 2019 Cannes Palme d’Or winner “Parasite”
Parasite won the prestigious Cannes Palme d’Or in 2019. In this Art of the Cut interview, we discuss the...