Post Production
Real-world, same-day editing with the Lumaforge Jellyfish and Adobe Premiere Pro
Earlier this summer I was hired on a job to edit same day content for CMA Music Festival. It’s...
Production
Nashville Filmmakers Guild Lighting Workshop – July 30
I’m usually all about post-production here on my blog but our local to Nashville filmmakers group The Nashville Filmmakers...
Post Production
Kicking the tires on Proxy Editing with Adobe Premiere Pro CC 2015.3
Adobe released the Adobe Premiere Pro 2015.3 update onto the world in late June and I was smack-dab in...
Post Production
How to upgrade your NLE software mid-project. Not that you should.
There is a rule of thumb that is a near universal standard when it comes to and upgrading a new...
Post Production
Useful Tools For Editors: Now Shipping Edition
The time around NAB, and actually at NAB, is when we see a lot of products announced and demoed....
Post Production
Review – The Tangent Ripple affordable color grading control surface
Many years ago I wrote an article called Poor man’s color control surface. This was a time before Resolve...
Post Production
My response to recent post-production articles making the internet rounds
The writers here at ProVideo Coalition have never hesitated to shy away from challenging another blog post that we...
Post Production
NAB 2016 Wrap-up. Winners, Losers, Fun and … Meh.
Another NAB is well in the past and as I was thinking about what I saw at NAB 2016...
Post Production
Adobe drastically reduces the trial period of the Creative Cloud suite
Word came down from the Creative Cloud yesterday that Adobe is changing its trial period from 30 days, reducing...
NAB Show
NAB 2016 – mocha Pro and visiting the Boris and Imagineer Systems Booth
I made it a point to drop by the Boris FX booth to have a chat with Ross Shain...