Post Production
First Impressions of the new G-Technology G|DRIVE ev RaW
The good folks at Amazon dropped off a package the other day for a brand-new G-Technology G|DRIVE ev RaW...
Post Production
My NAB 2015 Post|Production World sessions
If I may take a moment to engage in a bit of shameless self-promotion please indulge me! Once again...
Post Production
Useful Tools for Editors – New Website Edition
Here we are with a brand new ProVideo Coalition website so it seems like the perfect time for a...
Post Production
All the 2015 #28daysofquicktips in One Handy Link
February 2015 was another edition of #28daysofquicktips. This year’s edition followed up 28 Days of Quicktips from 2009 and...
Uncategorised
Final Cut Pro X Workflow: The Book … Read about FCPX’s first Hollywood Feature Film Edit
It was late February 2015 when some might say Final Cut Pro X had its big confirmation, a coming...
Post Production
Day 29 #28daysofquicktips – A Batch of Media Composer & FCPX tips from Jesús
It’s day 29 of the #28daysofquicktips and that’s one day over. This big list of tips came from Editor,...
Post Production
Day 28 #28daysofquicktips – A few Avid Media Composer tips from Marcin
How about a quick batch of Avid Media Composer Quicktips instead of one big one to round out our...
Post Production
Day 27 #28daysofquicktips – Use Un-sync Locked Tracks for Easier Music Revisions
This reader Quicktip is a very nice Avid Media Composer tip from editor Austin Flack that will come in...
News
Day 25 #28daysofquicktips – Consolidate Media Outside (Externally) of a Final Cut Pro X Library
Final Cut Pro X has some rather intricate media management capabilities built into its Library functionality. The Library concept...
News
Day 26 #28daysofquicktips – Make an Audio-only Dissolve in Final Cut Pro X
For some reason, unbeknownst to us mortal editors, Final Cut Pro X doesn’t allow you do make an audio...