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Day 11 #28daysofquicktips – Select a Specific Layer in the Premiere Pro Source Monitor
Have you ever had a stack of video layers in an Adobe Premiere Pro CC timeline and you couldn’t...
Post Production
Day 10 #28daysofquicktips – Create an Audio-only Multicam Clip in Premiere Pro
For some reason Adobe Premiere Pro CC doesn’t seem to let you create a Multi-camera sequence from a batch...
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Day 9 #28daysofquicktips – Trim to Playhead in Adobe Premiere Pro
There’s a batch of keyboard commands that kind of all work together in Adobe Premiere Pro CC to improve...
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Day 8 #28daysofquicktips – Use a Trackpad for Better Navigation
Continuing in yesterday’s vein of using an external input device today’s Quicktip comes to us from Alex Gollner (that’s...
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Day 7 #28daysofquicktips – Remap the H key away from the HAND tool
Going back to keyboard discussions for today’s Quicktip I always remap the H key on most NLEs (that’d be...
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Day 6 #28daysofquicktips – Option click to move the Final Cut Pro X playhead
The Final Cut Pro X Skimmer is an awesome thing. But you still have a traditional playhead when working...
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Day 5 #28daysofquicktips – Move a Clip’s Connection Point in Final Cut Pro X
One fundamental concept of Final Cut Pro X and its trackless timeline is Connected Clips. When editing clips outside...
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Day 4 #28daysofquicktips – Override clip connections in Final Cut Pro X
One fundamental feature of Final Cut Pro X is the Connected Clip be they single video or audio clips...
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Day 3 #28daysofquicktips – Remap numbers 1 to 9 on your Final Cut Pro X keyboard
While we are on Final Cut Pro X keyboard keys (see yesterday’s quicktip about G for Storyline Mode) here...
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Day 2 #28daysofquicktips – G for Storyline mode in Final Cut Pro X
While looking to remap some of my Final Cut Pro X keyboard I noticed the G key and realized...