Post Production
PVC at AES 2014 – Details About the New Upgrades to Ozone from iZotope
iZotope was previewing their updated version of Ozone at AES 2014 in Los Angeles and I had a chance...
Production
PVC at AES 2014 – Exclusive Info About the DR-60D from Tascam
Improving location audio is one of the simplest ways to greatly enhance the overall quality of your productions. Exceptional...
Post Production
PVC at AES 2014 – The Amazing Nucleus Board from Solid State Logic
In a world filled with computers replacing the desk and shelf space of mixing consoles and recorders, there have...
Post Production
PVC at AES 2014 – Exciting New Products from Lectrosonics
The Audio Engineering Society (AES) had their 137th International Convention this past week in Los Angeles and I had...
Post Production
Review: iZotope RX 4
A few years back, audio plug in developer iZotope, changed the landscape of digital audio restoration with their groundbreaking...
Post Production
Saving Time and Money in Audio Post
Some picture editors say “I don’t do sound.” Other picture editors storm into the bay and insist that as...
Post Production
Pro Tools 11 Hardware and Software Upgrade
There are many of us in Hollywood and beyond who depend on the dependability of Avid’s Pro Tools digital...
Pre-Production
Pre-Production Audio For Post Production Sound
Pre-production is a busy time for a filmmaker. Meeting and hiring cast and crew, securing locations, making budgets, contracts...
Post Production
Tips for Maintaining Gainful Employment
In the spirit of the New Year and of making the most out of the potential of another circle...
Production
Don’t Just Get The Shot
Filmmakers often ask what they can do to make their projects sound better. They are all looking for that...