Color Subsampling, or What is 4:4:4 or 4:2:2??
In the video space, there’s always a lot of talk about these number ratios – 4:4:4, or 4:2:2, or...
What is YUV?
Another area I’m getting pelting with questions about is the little YUV logo on some Premiere Pro effects. What...
The Life of an Audio Engineer
With the recent news about Adobe Audition coming to the Mac, I thought you might enjoy this spoof on...
Camera workflow guides in Adobe Premiere Pro CS5 and After Effects CS5
Adobe has been putting out several white papers, workflow guides, and other materials to give the nitty-gritty details of...
It’s official! Adobe Audition is coming to the Mac!
Today on Adobe Labs, Adobe announced that Adobe® Audition®, the all-in-one professional audio toolset for recording, mixing, editing and...
8-bit, 10-bit, 32-bit, and more
Recently, I’ve been getting a lot of questions about the new icons in the Premiere Pro Effects panel, in...
Open workflows in Adobe Premiere Pro CS5 with Final Cut & Media Composer
Since so many industry professionals typically use a variety of production and post-production tools on virtually every project, it’s...
New RED Mysterium-X support in Adobe tools
As many of you know, CS5 Production Premium includes built-in support for the RED camera format. In the past...
DSLR Workflow Pt 2 – Keying, Time Remapping & Stills in Premiere Pro CS5
For this piece, we’ll take a look at using the new Ultra Keyer in Premiere Pro with some Canon...
The changing landscape of CS5 for Broadcast (part 2)
As I spoke previously, the landscape of broadcast has been changing. That perfect storm of change is forcing broadcasters...
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