Working with Premiere Pro on Terminator: Dark Fate
In 1984, a young director stepped behind the camera to create an original sci-fi action movie about time-travel, cyborg...
Meeting the Demands of Pro Editors: Behind the Adobe Premiere Pro 2019 NAB Updates with Patrick Palmer
As always, Adobe has a number of major updates and announcements to showcase at NAB Show 2019, with significant new...
After Effects wins an Academy Sci-Tech Award
David Simons is a 28-year fellow at Adobe, if you count the first three years at CoSA where he...
My First Time: Adobe MAX 2018
Over 14,000 people descended on the Los Angeles Convention Center for Adobe MAX, billed as “The Creativity Conference”. Every...
Adobe Santa Monica
Adobe recently opened a new facility in Santa Monica located at 429 Santa Monica Blvd in an effort to...
Faster, Together — The UFO Edition
Or: How Butcher Bird Studios worked with Adobe Premiere Pro’s Team Projects and the LumaForge Jellyfish to conquer alien...
After Effects: revisiting feature requests from 2008
June 2008 seems like a long time ago now. Adobe had only just released After Effects CS3 and I...
AE Project Diary: 4) Mixing up a cake with maths
I like cakes a lot, especially cakes with lots of layers. After Effects also has lots of layers, but...
NAB 360º Video Report #1 – Bill Roberts, Adobe Professional Video
360º video report from NAB 2016 featuring an interview with Bill Roberts, Senior Director of Professional Video Product Management...
Joke Productions shoots, edits, and delivers new Oxygen series
Joke Productions, founded by the husband and wife team of Biagio Messina and Joke Fincioen, creates and executive produces...
