Why Smoke is Ideal for Broadcast Part I
For anyone who has ever worked in a broadcast environment, you know the unique challenges that are involved in...
3D Compositing Fundamentals
When I tell people that Smoke has 3D compositing capabilities, I sometimes get a skeptical reaction – asking if...
3D Motion Graphics
Autodesk’s David J. Wood presents a quick motion graphics tutorial on building a quick broadcast title animation using 3D...
Glyph Post-Production and Autodesk Smoke
David Crites, owner of Kentucky-based post-production boutique Glyph, discusses his visual effects and finishing work for large multi-screen video...
Smoke for Final Cut Pro Users
As a Senior Smoke Trainer here at Autodesk, I routinely get question from editors and artists asking me how...
VODA Studios Expands its Business using Autodesk Smoke
This Seattle-based agency transitioned from being a commercial photography company to providing professional post-production finishing services using Autodesk Smoke....
More than Finishing
Autodesk application specialist Paul Andrews recently put together a great webcast showing just how flexible Smoke can be. It...
Smoke at the 2011 SuperMeet in Amsterdam
Hundreds of editors, filmmakers, and post production artists saw Autodesk Smoke showcased as the go-to tool for stereoscopic 3D...
Getting Started with Smoke
There is an old proverb that warns us against the temptation to “run before you learn to walk”. This...
Autodesk Smoke and RED Workflow at Oakley
James Masters, Global Video Manager, talks about how Oakley shoots on the RED Camera® and uses Autodesk® Smoke® software...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
