Mo-Sys: using Virtual Production to film a plane in a hangar
When creative production agency Papertown imagined an ambitious virtual production project featuring a passenger plane in a hangar, they...
Filmmakers test Unreal Engine’s in‑camera VFX toolset
Recently, Epic Games and filmmakers’ collective Bullitt assembled a team to test out the latest in-camera VFX toolset in Unreal Engine. A...
After Effects: Making a composition render 70 x faster
Rendering times in After Effects can vary a lot. If you’ve been using After Effects for a while, you’ve...
Adobe gets serious about 3D Design
Adobe just announced the Substance 3D Collection, a new suite of 3D design tools centered around the Substance software...
To Cloud or Not to Cloud. The current state of Enterprise NAS Media Production Platforms.
Recently I had several clients ask me to assist them in the review of the current options available for...
CamTrackAR: how to use the iOS app for Virtual Production
The virtual production studio app for iOS CamTrackAR is a powerful tool with multiple functions. The first episode of...
INTERVIEW: Jeff Boyette, editor of “Amy Tan: Unintended Memoir”
Writer Amy Tan’s hit debut novel, “The Joy Luck Club” (1989), catapulted her to commercial and critical success, spending over 40 weeks on The New York...
Pollinator Park: using Virtual Reality to save pollinating insects
Introduced last March for Oculus VR headsets, Pollinator Park is a futuristic farm, a safe haven for pollinating insects...
Productions versus Team Projects: Which Adobe Premiere Pro remote workflow is right for you?
2020 forever changed the way that many of us live, play, learn, and work. For many filmmakers, editors, and...
UNRAVELED // An interview with Joke Productions
Thanks so much for talking to me! To start, I just want to know; why is True Crime so...
