Do It Yourself 6TB Video Array on a Mac
With high definition, multi camera productions and emergent video formats all the digital video rage, power video users are...
Premiere Pro C4 and After Effects CS4 Workflow Using the NEW Native RED R3D Plug-in
The RED Importer plug-in provides full native support of RED raw files including the ability to work with RED...
Workflow Flexibility Through Final Cut Pro
An update to Adobe Premiere Pro CS4 (4.01) opens the door to even greater workflow flexibility by making it...
RED Support for Adobe Premiere Pro CS4, After Effects CS4 and Encore CS4
The beta version of the RED Camera Adobe Importer Plug-in is going to be available in the next few...
Intro to CS4 and New AVCHD Editing
Click Here for VideoWith the various price ranges of AVCHD cameras, tapeless workflows will surely reach the mainstream in...
Register for Max 2008
Register for MAX 2008, Adobe’s annual event for designers and developers, and be among the first to experience Adobe®...
DVD Studio Pro: Leaving 4×3 behind for good
With the prevelance of flat screens and digital transition, it's time to stop worrying about 4×3. That statement might...
AJA + Adobe = Great High-End Workflows
I’ll be the first to admit that I don’t have the privilege of getting to work with high-end workflows...
New Red Camera Adobe Support
For a few weeks now I have been checking out the new Red Camera Adobe Importer plug-in for Premiere...
Tapeless Cinematography Workflow v2
Being an early adopter of tapeless cinematography, I generally notice these inquiries on the blogs, bulletin boards, listserves and...
