CamTrackAR: how to use the iOS app for Virtual Production
The virtual production studio app for iOS CamTrackAR is a powerful tool with multiple functions. The first episode of...
INTERVIEW: Jeff Boyette, editor of “Amy Tan: Unintended Memoir”
Writer Amy Tan’s hit debut novel, “The Joy Luck Club” (1989), catapulted her to commercial and critical success, spending over 40 weeks on The New York...
Pollinator Park: using Virtual Reality to save pollinating insects
Introduced last March for Oculus VR headsets, Pollinator Park is a futuristic farm, a safe haven for pollinating insects...
Productions versus Team Projects: Which Adobe Premiere Pro remote workflow is right for you?
2020 forever changed the way that many of us live, play, learn, and work. For many filmmakers, editors, and...
UNRAVELED // An interview with Joke Productions
Thanks so much for talking to me! To start, I just want to know; why is True Crime so...
Space Explorers: the largest production ever filmed in space
Now that space tourism is the next big thing, accept the invitation made by Felix & Paul Studios and...
Moving from AVID to Premiere Pro: How’s 45 minutes sound?
One of the most frustrating things for editors switching software is having to sit through all the newbie, “editing...
Rick Famuyiwa: learning Virtual Production in The Mandalorian
Invited by Jon Favreau to direct some episodes of The Mandalorian, director Rick Famuyiwa had a crash course in...
The Mandalorian: a test bed for Virtual Production
Shooting a dawn scene for 11 hours or moving the mountains behind the actors are some of the magic...
Joshua Ausley: production under the pandemic
Award-winning cinematographer Joshua Ausley looks back at a year where smaller, agile crews became the rule, and looks at...
