Faking 3D in After Effects
3D is ever present in the motion graphics world. It’s also hard to learn and, occasionally, overkill. That’s where...
Let’s Edit with Media Composer – Creating Dailies Part 2 – DaVinci Resolve
One thing that editors are getting more and more into, is Color Correction/Grading using DaVinci Resolve, but most editors...
The top 7 After Effects scripts you should be using
Ever get that feeling while working in After Effects that you’re doing things the slow way? Enter the magic...
Ledgo G160 LED Panel Review // Tool Talk
Today’s Tool Talk is about the LEDGO G160 LED Panel. The G160 is a 160 watt, 95CRI, RGBW LED...
PVC’s Black Friday 2019 best deals: animation and virtual production
PVC’s Black Friday 2019 best deals list continues to grow. Today we look at everything from Unreal Engine or...
Making it rain in post—literally
Shooting in the rain is usually a bad idea (just ask the equipment insurer). Sometimes there’s nothing left to...
Shoulderpod G2: a professional video production grip for smartphones
Featuring an universal grip for holding virtually any modern smartphone model, the G2 includes 6 cold shoes and two...
Highlights from Filmtools’ Fifth Annual G-Oktoberfest
Filmtools in Burbank hosted their biggest end-of-year party—the fifth annual G-Oktoberfest—on Thursday, October 24th. The event kicked off at...
DUIK Bassel: The Premiere Animation Toolkit for Mograph Artists
If you’re an After Effects artist toying with the idea of creating character-driven animation, the free but powerful DUIK...
Day 2 from Adobe MAX 2019
As is now tradition, I live-streamed the first chunk of the morning’s Keynote on the Uber over as I...
