Day 1 from Adobe MAX 2019
Last year, I was invited to attend Adobe MAX and to say I was overwhelmed would be an understatement....
Let’s Edit with Media Composer – Working with Lens Flare 3D
In this lesson Kevin P McAuliffe talks about working with Continuum 2019’s Lens Flare 3D inside of Avid Media...
The Virtual Production Field Guide: your FREE pocket guide to VP techniques
Written by Noah Kadner, The Virtual Production Field Guide is your FREE digital pocket guide, if you’re interested in...
Tattoo Removal from Video Footage
Removing tattoos from body parts is tricky business: painful in the real world and painful in post-production. The former...
Reactor for Blackmagic Fusion
Reactor is a plugin manager for Blackmagic Fusion that adds powerful new tools to both the Fusion page in...
Filmtools Event Recap: Workflow for Original Streaming Content
Thursday October 3rd, Filmtools Filmtools in Burbank hosted noted filmmaker Phil Holland for an afternoon of education. Billed as...
Working with Premiere Pro on Terminator: Dark Fate
In 1984, a young director stepped behind the camera to create an original sci-fi action movie about time-travel, cyborg...
Blackmagic Design’s UltraStudio 4K Mini I/O is Built for the Demands of Production and Post
I have been patiently waiting for an affordable Thunderbolt 3 device that could handle the wide range of needs...
The literal invisible cut: mastering the Fluid Morph
Ethics aside, editors often have a legitimate need to hide a jump cut. Many editors are still unaware of...
The Palace of Versailles: going behind the scenes of a VR production
Never a 3D model will replace the emotion of actually stepping into the monument, but the new app “VersaillesVR:...
