Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
How to fix bad dialogue using EQ
Equalization is one of the most crucial steps in taming a soundtrack. It’s also the step at which most...
DaVinci Resolve 15.2 update continues Blackmagic’s march toward post-production dominance
I wonder if Blackmagic’s engineers sleep at night. I really do. What’s new in Resolve 15.2? A whole lot...
The Moviola Education Center Allows Working Professionals in Hollywood to Upgrade Their Skillsets for Free
Talk about how fast technology moves these days is inescapable, but the changes and updates to post-production tools utilized...
Get up and running with Adobe Animate—Flash reborn
Back in the 90’s, Macromedia Flash was the king of web-based animation and it was everywhere. Then in 2010...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
My First Time: Adobe MAX 2018
Over 14,000 people descended on the Los Angeles Convention Center for Adobe MAX, billed as “The Creativity Conference”. Every...
New “Fusion in Resolve” 20 minute quickstart
Hot off the moviola.com presses: a 20 minute guide to get you up and running in Resolve’s new Fusion...
Up and running with Apple Motion…in 20 minutes
For a lot of editors, After Effects is overkill but the rudimentary motion graphics tools in their NLE of...
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Review: Mofage Talos Damping Magic Arm
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