Customizing Lens Flares Inside Smoke Part I
Lens flares are the new lens flares. Lens flares have made a comeback of late, largely due to recent...
The Metadata Magic of Smoke’s Clip History Part I
History is a feature in Smoke that keeps track of the operations that you perform on a clip, so...
Act of Valor world premiere with Navy SEALs
Monday, February 13th marked the world premiere of feature film Act of Valor at the legendary Cinerama Dome on...
The Metadata Magic of Smoke’s Clip History Part II
In Preferences, you can choose if your clips are saved with History automatically or on-demand. You can also choose...
HPA Tech Retreat, Day One
Welcome to Indian Wells, an offshoot of Palm Springs, CA. So why is the first day’s “Super Session” titled...
Why Smoke is Ideal for Broadcast Part II
So at the end of the day when your spot is being reviewed, and changes are needed, Smoke can...
Accelerate your RED workflow with Adobe Premiere Pro CS5.5
Adobe and RED have collaborated to bring a truly native, color-rich, 4K tapeless workflow to Adobe Premiere Pro CS5.5....
Why Smoke is Ideal for Broadcast Part I
For anyone who has ever worked in a broadcast environment, you know the unique challenges that are involved in...
Revisiting the RED workflow, Smoke 2012 style
My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the...
Evan Schechtman’s Digital ‘Smoke’ House
With a mind of a genius and the spirit of a rebel, Evan Schechtman is one of the most...
