Crafting the Look of a Lens, Part 2: Making a Modern Vintage Lens
In part one, we looked at how ARRI built a lens with a modern-yet-beautiful look for the future of...
ARRI Signature Lenses, Part 1: Making a Modern Lens
In this two-part series, we’ll first break down the look of an ARRI Signature lens, and then, in part...
PSA: Mowing the lawn? Wear Glasses!
Every January I look back on the previous year, and think about whether anything noteworthy happened that might be...
The HPA Tech Retreat and the Avatar II Deep Dive
In Palm Springs every February, a group of Hollywood industry professionals get together without the fanfare and noise of...
Invention of Sound for Movies
Having seen “Making Waves,” I am thrilled to see the attention being paid to film sound. Certainly sound effects,...
The US Army’s Syndicated Television Program “The Big Picture”
In 1951, the U.S. Army produced and made available a thirty-minute television show to all television stations in the...
Redshift3D Per Trail Color
Redshift3D Per Trail Color Rendering X-Particles per trail colors & creating abstract art
ARRI Signature Prime and Mini LF Event: Sim Video, Vancouver
Come see me on June 6th at Sim Video in Vancouver, B.C., where I’ll co-present a session on ARRI...
Quantifying the Large Format Look
Large format is no longer out of reach of the average filmmaker, but the look is difficult to quantify....
Fix a broken X-Particles cache
Fix Broken X-Particles Cache Many users have experienced this issue time and time again. You’ve spent a fair amount...
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