Is the G-Drive Mobile SSD R-Series a Reliable Storage Option?
There comes a time in every working filmmakers life where at the end of the day, they have to...
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of...
The 2018 Compact Cinema Camera Shootout
There are a few things you should know about the “shootout” video that I’ve just completed, especially in light...
Meet Me at Arri Burbank on January 19th
If you’ve got some time to spare on January 19th, and you’re near Burbank, stop by and see me...
Looking back on 2017, ahead to 2018 – PVC Roundtable Discussion
Scott Simmons The Editblog When I got to looking back over 2017 I’m stuck by the fact that I’m...
How to shoot and create aerial 360 panoramas – Part 1
With all the recent interest in 360º VR technology, cameras like the Ricoh Theta S and the new GoPro...
Review: LiveU Solo
A few weeks ago I was given the LiveU “Solo” live streaming device to test and review. They told...
Entrepreneurialism: Taking the Leap
Today we’re walking about how to build a business, an unusual topic for PVC to be sure. You can...
The Best of ProVideo Coalition: 2017
2017 saw a number of major developments for the industry as a whole, and many of those updates were...
Some thoughts on color, brightness, and contrast
I’m not happy with just knowing that colors work together in artistic ways. I want to know why. Here...
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