AI Tools Part 1: Why We Need Them
AI Tools? Aren’t you already exhausted from hearing “AI-this” and “AI-that” everywhere? We’re all constantly blasted with crazy AI...
Apple Mac Studio Review Part 2: Mac Studio and the M1 Ultra for video editors
When I started writing part two of my Mac Studio review, I got a thousand words or so into...
Review: Monogram Creative Console
Introduction In a field of control surfaces to suit all kinds of different needs, the Monogram Creative Console stands...
Review: Stream Deck + for video editors
The brand new Stream Deck + is, quite simply, the venerable Stream Deck with knobs. Or dials depending on...
Her Name Was Moviola – An interview with Walter Murch about film editing with the Moviola
Walter Murch is not one to sit around quietly in retirement. For the past year or more he’s been...
Scotty Makes Stuff Z-axis Stabilizers Hands-On
I’ve recently discovered these Scotty Makes Stuff Z-axis Stabilizers that help eliminate the 4th-axis “bounce” when walking with a...
Lighting the Extremes: What Kind of Opportunities Does Aputure Enable for Productions?
If I’m not working in the camera department or as a project manager/producer, I often get asked to work...
Exploring Colour Quality Systems in Production: Lamphouse efficiency, modifier efficiency and more
If we didn’t care about efficiency, tungsten lighting is the best technology ever developed. It has near perfect colour...
Solutions to Resolve Part 6: Clipped Exports – the YUV enigma
Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to...
Canon EOS C70 brings a number of ‘firsts’ for the Cinema EOS System
The first to combine the image quality of Canon’s Cinema EOS System range with the portability and flexibility of...
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