As FCPX turns 7, Apple gives us ProRes Raw, but what’s really changed?
Seven years ago we heralded in a new version of Apple’s venerable video editing app, FCPX. As a leader...
The Reality of Unscripted Television Editing
To watch the webinar that accompanies this article and talks through many of the topics laid out here in...
Jeff Foster’s NAB Show 2018 Wrap-Up
This year I went to the NAB Show in Las Vegas with two things: (1) A knee injury, thus...
Akitio Expands Thunderbolt 3 Storage and Dock Product Line-up at NAB 2018
Since I’m here in Las Vegas this week at NAB Show 2018, I’m going to meet with the folks...
Stella Pro Lights Review – Pushing Light & Motion’s Filmmaking Lineup to the Max
Light and Motion advertises their line of Stella Pro lights with phrases like: “travels anywhere” and “perfect for mobile...
RED, G-Tech, and Manfrotto Come Out for Gear+Beers in Orange County
You asked, and Filmtools listened: Gear + Beers came to Orange County at the end of March to host...
Gear & Beers Preview
Good news everyone! To cap the month off in spectacular fashion, on Wednesday, February 28th Filmtools will be throwing...
The Need for Speed in a Changing Media Landscape
More video is being produced and distributed than ever before. In this new media landscape, speed has become critical...
Panavision’s new DXL2: Monstro dialed up to “11”
Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...
First Look: GoPro Fusion 360 Cam & Software
The GoPro Fusion is the long-awaited 360 VR camera that shoots a full spherical 5.2k video with seamless stitching...
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