Sony FX3: update adds log modes, LUT import and timecode sync
The software update for the compact Sony FX3 is the result of extensive feedback from industry professionals, says Sony,...
Plosive prevention: A7WS, A81WS or WS2, not RK345
Sadly, most people I see and hear vía the Shure SM7B, MV7 and MV7x microphones are using the wrong...
Cool Tool: QuickTC
Sometimes you just need a small, specialist tool to debug a problem. If you work with timecode, Factory Optic’s...
Fluid Simulation and Destruction: using a GPU to make them faster
Visual effects artist Surfaced Studio shows how by using a RTX 2070 GPU on a laptop GPU allows artists...
Creating virtual tours with the ONE RS 1-Inch 360 Edition
Designed to make the creation of virtual tours easier, the ONE RS 1-Inch 360 Edition is now the star...
Color Management Part 8: Colorspaces
A colorspace is the basis for color management. By itself, the concept of a colorspace isn’t too difficult to...
Film.io and Serialify aim to democratize the film industry
Film.io partners with Serialify to bring interactive storytelling into the hands of creators, as blockchain technology is providing all...
Review: FDUCE SL40 studio dynamic hybrid microphone with A7WS & RØDECaster Pro II
I am privileged to be among the first to be reviewing the new sub US$100 SL40 studio dynamic hybrid...
Avid Media Composer updated to 2022.7, now with competing keyboard layouts
The venerable Avid Media Composer recently updated to version 2022.7. This in and of itself might not be big...
Netflix brings Sennheiser’s AMBEO Spatial Audio to your stereo
Starting with 23 titles, from Stranger Things season 4 to The Witcher, Netflix members who normally receive stereo will...