The Almost Perfect Font
The LoveLetter Typewriter font had a few characters that were difficult to read (top line) until they were modified...
A Different Light: Gamma-Corrected Compositing
The image on the left is a normal computer crossfade; the image on the right uses linear blending –...
Managing Moving Masks
In After Effects, each mask vertex (the yellow squares) interpolates in a straight line from old to new positions....
A Track of the Clones
One of the most significant but underused sections of After Effects has to be its vector-based painting engine, introduced...
Between Dimensions: 3D Into AE
The logo was rendered in a 3D program; the walls were created in After Effects. Both use the same...
More Motion, Less Control
Most of you are probably familiar with the concept of using a camera to pan and zoom around still...
Pulse Rays
Light ray treatments, where streaks of color extend from type, a logo, or image, are popping up everywhere these...
Gobos and Gels
Finishing our tour of 3D lighting in After Effects, we’ll discuss gobos and gels. For those new to lighting,...
Lurking in the Shadows
The second stop in our overview of 3D lighting in After Effects is the subject of shadows. In the...
Blinded by the Light
The 3D implementation in After Effects is very flexible. You can selectively place some layers in 3D space, and...
