Galaxy S22 Ultra: the most powerful cameras in a smartphone
The new Samsung Galaxy S22 family includes the Galaxy S22 and S22+, but if you’re serious about photography and...
Plan B: using ZEISS Supreme Primes and Sony Venice
What happens when you pair the Sony Venice camera and Zeiss Supreme Primes for a mostly low light film?...
An update on Kyno and what might be in store for the future of this fantastic piece of post-production software
For years now I have professed my love for Kyno as an integral part of a post-production workflow. It...
Shooting video with the Xiaomi Redmi Note 10 Pro smartphone
Saying a smartphone can shoot 4K video at 30fps does not mean it can always shoot 4K at 30fps....
Old lens bad
Being an optical designer has been a thankless task for the last few years. You get to spend half...
GeekTip™: Use an adjustment layer for a 2x vectorscope in FCPX
Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...
Blackmagic Pocket 6K Pro: Long-Term and First Impressions
A while back Blackmagic contacted me asking if I’d be interested in checking out the Pocket 6K Pro they...
Review: RØDE VideoMic Go II compact hybrid shotgun microphone
Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...
Samsung Galaxy S22 smartphones aim to break the rules of light
Ready to break the rules of light? Samsung suggests its Samsung Galaxy S22 can turn low light moments into...
Art of the Frame Podcast w/ Olympic Games Post Production Editor Rob Weir
*Cue Olympic Theme Song* Welcome to this special Friday episode of the Art of the Frame Podcast! On todays...
