Let’s Edit with Media Composer – Lesson 13 – Bin View Modes
Hey Everyone, Bins, as we know, are the centerpiece of your workflow(s). They are what will make for a...
The new Leica M11 with 60, 36 and 18MP: pixel-binning like a smartphone
At the heart of the new Leica M11 is a full-frame BSI CMOS sensor with Triple Resolution Technology with...
The New SIGMA 18-50mm F2.8 DC DN | Contemporary Review
Small, lightweight, and swapped focus and zoom ring placement did not keep me from thoroughly enjoying the new Sigma...
How to answer when someone asks you to move a project from Avid to Premiere Pro (or vice versa)
One question that I saw pop up on a lot of Internet forums and Facebook groups last year (and...
Why DC Shoes directors Chris Ray & Martin Fobes chose the Canon C70 to shoot their latest documentary
Don’t want to read about why they chose the Canon C70? Check out the video below where Chris and...
First look/commentary: RØDE VideoMic Go II compact hybrid shotgun microphone
I received the brand new US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, which I’ll be reviewing very...
Low-resolution sensors are best!
Let’s talk about some fundamentals, because, well, sometimes people don’t so much grab the wrong end of the stick...
MeganeX: a new 5.2K HDR VR headset for Virtual Production
The 2020 prototype is now a real product about to enter the market: the MeganeX, a 5.2K HDR VR...
Avid Media Composer updated, cloud licensing, M1 support
Avid Media Composer recently got a bit update that is notable for a couple of reasons. The first (and...
Using NDI Tools with Premiere Pro for Zoom review meetings
It has been estimated that virtual production and remote post production has advanced 5-10 years more than expected due...
