After Effects Roundup October 2021
Adobe MAX 2021 ran online this last week on October 26-28. Formal releases of Creative Cloud 2022 were announced,...
How bright is your light?
When Mole-Richardson launched its biggest, 3000-watt LED, there was much rejoicing – finally, a real LED movie light, with...
A Vlog Monitor to use with the Xperia PRO-I smartphone
Along with the announcement of the new Xperia PRO-I smartphone for photographers and videographers, Sony introduced a Vlog Monitor...
Adobe MAX 2021 means an updated Adobe Premiere Pro
It’s time for another Adobe MAX which must mean yet another update to Adobe Premiere Pro! Adobe MAX is once again...
Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 1
I was excited to take delivery of the newly announced MacBook Pro M1 Max last week for some post-production-related...
Review: DxO FilmPack 6, an interactive Time Machine
Support for X-Trans RAW files, in Beta, is a key feature of the new DxO FilmPack 6, which brings...
Road testing the //ROGUE PRO by DigitalGlue
Earlier this year we covered the announcement of the //ROGUE PRO. Recently we had a chance to test drive...
ProRes framerate iPhone 13 questions, answered
On September 16, 2021, I published: iPhone 13 ProRes — 6 questions for Apple. Those questions were about whether...
Editors on Editing w/ “No Time To Die” Editors Tom Cross, ACE & Elliot Graham, ACE
The Editors on Editing Podcasts brings the fantastic conversations that Glenn Garland has with world renowned editors into your...
Review: DxO PhotoLab 5 supports X-Trans sensors and is faster now
Support for Fujifilm X-Trans is now included, as the latest version of DxO PhotoLab expands its photo library features,...
