Color Management Part 1: The Honeymoon is over.
Welcome to the first part of my new series on color management. Although it’s exciting to launch a new...
Editors on Editing Podcast w/ “Belfast” Editor Úna Ní Dhonghaíle
On todays episode of Editors on Editing, Glenn talks with “Belfast” editor Úna Ní Dhonghaíle. You likely know Úna...
Galaxy S22 Ultra: the most powerful cameras in a smartphone
The new Samsung Galaxy S22 family includes the Galaxy S22 and S22+, but if you’re serious about photography and...
Plan B: using ZEISS Supreme Primes and Sony Venice
What happens when you pair the Sony Venice camera and Zeiss Supreme Primes for a mostly low light film?...
An update on Kyno and what might be in store for the future of this fantastic piece of post-production software
For years now I have professed my love for Kyno as an integral part of a post-production workflow. It...
Shooting video with the Xiaomi Redmi Note 10 Pro smartphone
Saying a smartphone can shoot 4K video at 30fps does not mean it can always shoot 4K at 30fps....
Old lens bad
Being an optical designer has been a thankless task for the last few years. You get to spend half...
GeekTip™: Use an adjustment layer for a 2x vectorscope in FCPX
Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...
Blackmagic Pocket 6K Pro: Long-Term and First Impressions
A while back Blackmagic contacted me asking if I’d be interested in checking out the Pocket 6K Pro they...
Review: RØDE VideoMic Go II compact hybrid shotgun microphone
Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
