How to choose the best hardware for Multi-Frame Rendering in After Effects
Multi-frame rendering is currently available in Adobe After Effects Beta. Introduction With the new 22.x version of After Effects,...
Canon RF5.2mm F2.8 L Dual Fisheye: a world’s first for VR capture
The world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single...
Post|Production World is online and free
The Post|Production World conference is a staple of NAB Show and while we were planning to move full speed...
Manfrotto MOVE: a whole new way to move cameras
Manfrotto announced MOVE, claiming it is the lightest Quick Release System on the market for dynamic users. The system...
Cinematic Mode, the future of iPhone cinematography, and ProRes on a phone
By now, you’ll have likely seen an article or social post about Cinematic Mode, the new computational background blur available...
The upgrade treadmill
Given the resources put into upgrading film and TV equipment in the last couple of decades, it’d be easy...
Review: Maono AU-WM820 wireless microphone system under US$100
Here is my review of the AU-WM820 wireless system. The kit includes a transmitter, receiver, charging cables and a...
After Effects Roundup September 2021
Adobe MAX 2021 is planned for October 26-28, and is online and free again this year. Registration is open....
REVIEW: Rotolight Titan X1 & X2
Recently I was tasked with reviewing the Rotolight Titan X1 and X2 LED Panels, the highlight feature of which...
Using EXRs and DWA in After Effects
Codecs aren’t the most exciting thing to write about, but a recent update to After Effects included a tiny...
