REVIEW: Rotolight Titan X1 & X2
Recently I was tasked with reviewing the Rotolight Titan X1 and X2 LED Panels, the highlight feature of which...
Using EXRs and DWA in After Effects
Codecs aren’t the most exciting thing to write about, but a recent update to After Effects included a tiny...
Building your own editing PC – a complete guide
Building my own editing PC was always something I thought was just a little but outside of my abilities,...
Dear Hollywood: If We Don’t Speak Up Now, The Industry As We Know It Will Never Be The Same (It’s Gut Check Time)
Author’s Note: I originally wrote and published this article at my site Optimize Yourself (as part of my ongoing...
Review: two years using a Shoulderpod G2 smartphone grip
Since 2019 that my smartphone grip of choice is the Shoulderpod G2, usable just as a stable support for...
Designing “The Queen’s Gambit” titles with Adobe After Effects
While superheroes and thrilling action are more popular than ever, millions tuned in to watch a different kind of...
Burning questions about Cinematic Mode and how you edit it
I picked up a new iPhone 13 Pro over the weekend. By far the biggest buzz is over the...
Adventurer and filmmaker Renan Ozturk on why he uses Teradek
Taking tools built for Hollywood sets and using them in harsh outdoor environments is normal practice for adventure filmmaker...
COVID-Compliant Crowd Scenes on a Budget using Anima
Not only are extras expensive, but in the age of COVID orchestrating larger crowd shots becomes a logistical nightmare....
Unlock the hidden 25p mode in your current iPhone’s camera app
Since my first articles in ProVideo Coalition magazine in 2008, the elusive 25p (aka 25 fps) framerate has been...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
