Adobe talks with the editors of David Fincher’s MANK
Netflix’s Mank is leading the 2021 Oscar hunt with 10 nominations, including Best Picture and Best Director, so some...
Joshua Ausley: production under the pandemic
Award-winning cinematographer Joshua Ausley looks back at a year where smaller, agile crews became the rule, and looks at...
Art Of The Cut Podcast Eps. 93 (“Dick Johnson is Dead” Editor Nels Bangerter)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your...
First look preview: Blackmagic Web Presenter HD streaming encoder + shyness fixer
This is my first-look preview article about Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder....
ARRI’s Amira Goes Live, Sony Gets Sued, and DPs Talk ‘Real-Time Petapixel Photography’
ARRI is courting broadcasters with the AMIRA Live, a new version of its AMIRA camera aimed at multicamera broadcast...
First look: RØDE Wireless Go II dual microphone/recorder system
This is my first-look article about the brand new RØDE Wireless Go II dual microphone/recorder system. I already received...
The best hardware solutions for World Backup Day
World Backup Day is on March 31st, but that’s the celebration day itself, because backup day should be a...
Will Starlink make remote video production more accessible anywhere on the globe?
One thing the COVID-19 pandemic has done for everyone in media production is test their abilities to communicate, produce...
Chrome now has Live Caption for audio and video…even offline
Captions make online content more accessible, but if you’re a Chrome user, the new Live Caption generates captions in...
Understanding Premiere Pro’s Color Management
Read through any of the online forums and you’ll often see this common concern: “Why doesn’t my export look...
