Review: Zoom ZDM-1 dynamic studio microphone or kit
Here is my review of the new large diaphragm ZDM-1 dynamic microphone from Zoom with a supercardioid pickup pattern....
After Effects Classic Course: Refine Edge Tool
Continuing with our theme that it is very useful to have a feathered mask that varies in width depending...
Are LUTs packs worthwhile?
You always know a colourist is paying attention when a LUT is named “Fuji Superior 200” (sic). We won’t...
ART OF THE CUT with Mike J. Nichols, editor of the documentary “Zappa”
Today I’m talking with Mike J. Nichols about editing the documentary Zappa. He’s edited a lot of documentaries including...
Art Of The Cut Podcast Eps. 74 (“Zappa” Editor Mike J Nichols)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
creative.space: One subscription that actually makes sense
A while back I covered creative.space’s //ROGUE, an edit-ready NAS system for small studios, complete with powerful managed storage...
Custom video editing overlays for the Loupedeck+ control surface
It’s time to talk about Loupedeck again. I’ve reviewed quite a few Loupedeck products here in recent years. While...
Reviewing The New Sony FX6
On October 23rd, I stood on one of three triple-tier media risers on Belmont University and outside the last...
ENVY’s Use of Modern Technology Provides a View into the Future of Post Production
As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers...
Exploring Colour Quality Systems in Production: Lamphouse efficiency, modifier efficiency and more
If we didn’t care about efficiency, tungsten lighting is the best technology ever developed. It has near perfect colour...
