Closed Loop Colour for Virtual Production
Almost everyone reading this will have had the experience of pointing a camera at a real-world scene and then...
Nikon Z6III: a new benchmark for its class
The world’s first partially-stacked CMOS sensor, said to give photographers and filmmakers flagship-level performance, is at the heart of...
Argus T1 Cine Series for Full-Frame, Super35 and MFT
Available in Full-Frame, Super35 & MFT formats, with focal lengths ranging from 18mm to 45mm, the Argus T1 Cine...
Adobe’s greatest allies protest privacy/copyright issues
After recent changes in Adobe’s EULA (End User License Agreement) for InDesign, Photoshop, Premiere Pro and more, several of...
Nikon to invest 100 billion yen to manufacture high-end lenses
Nikon announced the company is demolishing some of its buildings at Tochigi Nikon Corporation to build two new buildings...
Shure Motiv Mix software mixer recorder: Challenger to RØDE Connect?
Shure’s powerful new Motiv Mix software was just released in April 2024 and is still in ßeta. Motiv Mix...
Review: RØDE Interview PRO wireless microphone-recorder
RØDE’s new Interview PRO microphone has sparked a lot of interest and controversy for many reasons. Of course, the...
After Effects Roundup June 2024
The current version of Adobe After Effects is May 2024 release (version 24.4). Beta features are listed in Adobe...
Tool Tip Tuesday for Adobe Premiere Pro: Copy Paste includes Sequence Markers
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new...
Blackmagic URSA Cine Immersive: the first URSA for Apple Vision Pro
Canon may have a new and first lens for the Apple Vision Pro headset, but Blackmagic Design has a...
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Production
Review: Mofage Talos Damping Magic Arm
Post Production
