Understanding Aputure’s Storm LED line and BLAIR Color Engine
In the world of filmmaking, lighting is a critical aspect that can make or break a scene. While there...
Preview of Adobe Firefly Video Model, available later this year
Today, Adobe previewed its upcoming Adobe Firefly Video Model designed to help inspire film editors and video professionals with Adobe...
NIKKOR Z 50mm f/1.4: a nifty-fifty for the Nikon Z mount system
Affordable and highly portable, the new NIKKOR Z 50mm f/1.4 was developed with the same concept as the NIKKOR...
The holy grail of SSDs: iodyne Pro Mini
The new iodyne Pro Mini is going to be the holy grail of SSDs. The Pro Mini takes what...
Tool Tip Tuesday for Adobe Premiere Pro: Global FX Mute: when you just need all effects OFF.
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new tooltip...
After Effects Upgrades at IBC 2024 + AI teaser
At IBC 2024, Europe’s NAB, Adobe is presenting recent improvements and upgrades to the 3D workspace in After Effects....
Adobe Premiere Pro is getting a big color managment update, among other features
Adobe Premiere Pro is getting some big “under the hood” changes in brand-new color management. We’ve talked about “under...
iPhone 16 Pro and iPhone 16 Pro Max adds new features for filmmakers
Apple’s Glowtime event brings a trio of new updates across Apple Watch, AirPods and iPhone. Like all Apple events there’s...
Adobe honored with two Engineering Emmy Awards
We’re so excited to share that today, the Television Academy — the organization dedicated to the advancement of the...
Lens good, crop factor bad
Let’s imagine what would happen if you walked into this coffee shop* and asked for a latte that was...
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