Color Management Part 20: HDR Compositing just looks better!
High Dynamic Range compositing, using 32 bit float mode in After Effects, just looks better. It’s that simple, and...
Adobe MAX: Everything Everywhere Compressing All At Once
It is admittedly weird to start an article, a product of prose, with the realization that I don’t have...
The Alan Smithee Round Table – Adventures at IBC
On the latest episode of the Alan Smithy podcast, the the regular panel discusses various topics related to the...
The educational video landscape
As video professionals, most of us engage with video-based educational content in one of two ways. We might learn...
The Final Cut Pro Creative Summit 2023
In just a few weeks, on 6-8 November 2023, the Final Cut Pro Creative Summit returns, including a visit...
Adobe MAX 2023 sneak peeks
Generative AI is expanding access to powerful new workflows and unleashing imaginative ideas, at least on its own paths...
In Depth – Nobe Omniscope
One issue that colorists, editors and motion graphic designers have had for a long time, is finding reliable software...
Audio noise reduction shootout – new players Supertone Clear (GOYO) and Accentize dxRevive take on their rivals
This was originally intended to be a review of the plugin GOYO from Supertone that some people were raving...
Let’s Edit with Media Composer – Lesson 1 – Before You Edit
Well, we’re back! That’s right, the Let’s Edit with Media Composer tutorial series is back after a hiatus, and...
Adobe MAX 2023: updates, AI, sneaks
At the Adobe Max 2023 conference Adobe unveiled the latest version of Adobe Creative Cloud, with more than 100 new features across...
