Kicking the tires on Proxy Editing with Adobe Premiere Pro CC 2015.3
Adobe released the Adobe Premiere Pro 2015.3 update onto the world in late June and I was smack-dab in...
Red Giant Universe 2.0: HUD, mograph, stylized damage & looks, transitions
Red Giant Universe had been a consistently-updated mix of free and subscription effects for Adobe After Effect, Premiere Pro,...
Media Composer’s Source Browser – A great new feature for every editor
When I reviewed Boris Continuum Complete 10 for AVX, I said that “Boris’ purchase and integration of Mocha in...
Let’s Edit with Media Composer – ADVANCED – What’s New in 8.6
The new 8.6 release of Avid Media Composer is here, and there’s a lot to be excited about! The...
QuickTime’s Death means it’s time to Switch!
Every post production house in the world that runs Windows machines probably has a copy of QuickTime Pro for...
How to upgrade your NLE software mid-project. Not that you should.
There is a rule of thumb that is a near universal standard when it comes to and upgrading a new...
Let’s Edit with Media Composer – ADVANCED – Clip & Interface Color Options
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about color. The color of your bins,...
ART OF THE CUT with legendary Oscar-winning editor, Anne Coates
I have interviewed nearly 60 of the top editors in the world at this point including more than a...
Free Function Friday getLayFXMatchNames
Ep. 39 getLayFXMatchNames Free Function Friday
Reimporting from Camera Archives in Final Cut Pro X
https://www.youtube.com/watch?v=zihCnGzJFUs&feature=youtu.be This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can get tripped up...
