Get Started Fast with Media Composer for High-Res Workflows—Part 4
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Easy Split-Screens in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training some options for reframing video clips in...
Review: Red Giant PluralEyes 4
Those of us who have been around the film and video post-production biz for awhile will remember a day...
ART OF THE CUT with Steve Mirkovich, ACE, editor of “RISEN”
Steven Mirkovich, ACE has edited over 40 pictures that include “Big Trouble in Little China” and “Con Air.” Steven...
ART OF THE CUT on cutting “DEADPOOL” with Premiere Pro CC
Vashi Nedomansky trained a team of Avid editors and assistants for their switch to Premiere Pro for “Deadpool” and...
First Look: Red Giant PluralEyes 4
PluralEyes 4 automates audio/video synchronization in seconds instead of days, giving videographers and filmmakers edit-ready footage without clappers or timecode....
Animating with transitions in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can create animations in Final...
Final Cut Pro X: slipping audio without detaching it
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip for slipping the audio...
ART OF THE CUT with “Straight Outta Compton”‘s editor Billy Fox
Billy Fox, ACE has numerous Emmys nominations for his editorial and producing work and won an Emmy as a...
Media Composer 101 – ADVANCED – Multicam Editing in v8.5
In this lesson, Kevin P McAuliffe takes a specific look at Multicam editing with the new Waveform Sync option,...
