Art of the Cut Oscar Nominees
Get in the Oscar nominee spirit by reading Art of the Cut interviews with the editors of the Best...
ART OF THE CUT with Dan Hanley, ACE and Mike Hill, ACE of “In the Heart of the Sea”
Ron Howard has trusted the editing of all of his films to the long-time team of Dan Hanley, ACE...
Gotta cut music to time? Want a free, fast and excellent assistant editor?
Want to see something VERY impressive? Try out the REMIX function of Adobe Audition. Change the length of any...
Amazon Prime Now review: One word, Awesome
If you’re an Amazon Prime customer and you’re lucky enough to live in one of the Prime Now cities,...
Still shipping hard drives or using FTP?
Transporting footage from set, between editors and for final delivery has been necessary since the dawn of filmmaking. While...
Motion blur in Final Cut Pro X – via Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can create realistic motion blur...
How to be a hero to your kids (by editing that is).
Many editors work in anonymity, often alone, sometimes never seeing a client, usually without the praise that is given...
A.C.E. Eddie predictions – How do you judge?
Following up the Variety Editing predictions with the A.C.E. Eddie predictions. What do you think?Beasts of No Nation
Creating the sounds for The Revenant
In “The Revenant”, Oscar winning director Alejandro G. Inarritu tackles the tale of Hugh Glass, a trapper and a...
ART OF THE CUT with Stephen Mirrione, A.C.E. of “The Revenant”
Art of the Cut talks with Academy Award-winning editor, Stephen Mirrione, A.C.E. and his latest film, “The Revenant.”
